Class Follow-Up: Triangle Suspension

This is intended to accompany Shay's Triangle Suspension class and is not stand-alone material.

General Philosophy

  • More focused on the person in rope, rather than being rigger or rope/bondage focused.

  • About movement rather than immobilization.

  • Note that we will refer to the “flyer,” “person in rope,” or “PIR” rather than “bottom” or another word—this is to be inclusive of self-suspenders and avoid implying a power exchange dynamic in partnered suspensions.

 

Risks

  • Falls

  • Injury to joints: if you are a hypermobile person, you will want to be extra cautious exploring ties like this that can push your range of motion. 

      • You have two types of stability:

        • Static stability, which comes from the ligaments, tendons, and other joint structures

        • Dynamic stability, which comes from the muscles

      • If you are hypermobile, you have very little static stability, and need to work on extra awesome dynamic stability so you don’t damage your joints!

      • Just because you can access a certain range of motion, doesn’t mean that is safe or sustainable for your body.

      • The Beighton Scale is a tool to assess hypermobility.

  • This is a heavily chest-loaded tie.

    • Rope marks can occur around the chest and on clavicles/shoulders.

    • A chest harness can interfere with breathing, especially in a load-bearing face-down position and especially for someone with pre-existing breathing issues like asthma.

    • Consider negativity bias

    • Train yourself to breathe into different areas:

      • Front of chest

      • Back

      • Sides

      • Diaphram/abdomen

Nerves

    • Individual differences in nerve location and vulnerability

    • Anatomical location (where on the body you are tying)

    • Duration of force

      • Transitioning or staying still

      • Longer duration = more risk

    • Severity and type of force (compression or shearing)

    • Stretch or stress positioning

    • Environment (internal & external)

      • Communication (doing checks, coming down if there are signs of problems)

      • The temperature of the space (cold temperatures = higher risk)

      • Anything that alters body awareness (having an audience, other distracting stimulation)

  • This type of suspension:

o   Avoids areas that are often highest risk (upper arms)

o   Since the flyer is dynamic and in control, there is not generally a long duration or severity of compression in any one spot.

o   While the flyer may be moving into stretches, there is not generally stress positioning involved per se, and nothing is held for long.

o   ...therefore these ties are relatively low risk for nerve injury for most people.

  • Even though it’s a relatively low-risk tie, nerve injury is always possible. See this article for much more detail.

    • Chest harness

      • Brachial plexus – damage can occur when the shoulder is forced down while the neck stretches away when the arm is forced above/behind the head or with upward pressure into the armpit.

      • There have also been reports of damage to the intercostal nerves or costal cartilage.

    • Ankles/feet

      • In theory, you could damage the deep peroneal nerve – this can be injured by tight wraps around the ankle, where you might find shoe rims. Symptoms include foot pain and sensory disturbance.

    • Thighs

      • Nerves are most at risk in the groin and close to the knee. The “meaty” part of the thigh is relatively low risk. Nerves here include the femoral (and femoral cutaneous) and superficial peroneal nerve, damage to which can cause “foot drop.”

Equipment

  • PIR – clothing!

    • A sports bra, snug-fitting top, or nude on top works best for most folks. Having a layer of fabric between you and the rope can improve comfort (by cutting down on rope vs. skin friction) and sometimes decrease rope marks.

    • Most folks find underwires under chest harnesses to be uncomfortable (and potentially dangerous).

    • Avoid clothing with embellishments like buttons, zippers, jewels, etc.

    • Tying over shoes/boots can make this more sustainable. Look for shoes with a solid sole and distinct space after the heel (not wedges). Tying over shoes can damage them—don’t use your favorites.

  • Rope!

    • For uplines, we strongly recommend using a rated rope (especially for the chest line)

      • 6mm POSH has a breaking strength of 1,200lbs

      • ⅛” AmSteel has a breaking strength of 2,500lbs (look for AS-78)

      • Both are available at boating supply stores, online, or in person!

      • POSH is also available from Twisted Monk (use code TWISTEDWINDOWS for a discount)

    • MFP/nylon may be more comfortable/sustainable than natural fiber ropes for harnesses, especially in dynamic rigs.

      • We recommend Chromaknotz nylon. Use code “Twistedwindows” for a discount!

  • Carabiners and swivels

    • Make sure they are rated and from a reputable source.

    • We recommend roomy pear or oval-shaped locking carabiners. Ex: Black Diamond Rocklock Screwgate Carabiner

Disadvantages

  • For the flyer to move independently, some amount of core strength and body awareness is required.

  • For some, this type of rig may not connect to their idea of what bondage is or should be or what they find sexy or challenging about bondage.

  • You have to develop new ways of structuring a bondage scene.

Tips for Flyers

  • Consider warming up (possibly including dynamic stretching)

    • Static stretching is not warm-up! Studies show that static stretching before strenuous activity is not effective in preventing injury or soreness. Static stretching can be good for building flexibility, but that’s a different practice.

  • Pee right before you start! Even if you don’t think you need to!

  • If you’re prone to motion sickness or nausea, consider locating the nearest trash can, just in case. It may help to watch what you eat for a few hours before the scene—stick with bland food, minimal protein, and nothing too acidic. Grains, bananas, cereal bars, etc., work for many folks. Don’t go into the suspension starving…but don’t go in with a full stomach.

  • Dynamic suspensions will be a different type of “intense sensation” than you may be used to processing! Give your body time to get used to the rig. As with all kinds of bondage, you’ll build a tolerance to the specific sensations over time and repeated exposure. Keep track of “good pain” vs. “bad pain,” communicate, change position to change the pressure points, and constantly self-check to see if the sensations are ones you can process (or can learn to process) or warning signs of damage.

  • “It is a defining characteristic of human sensory and motor systems that they habituate with repeated use…” – Adapting to Artificial Gravity at High Rotational Speeds, NASA Astrophysics Data System.

Shay self-suspending in a triangle rig at the Folsom Street Fair. Photo by The Silence.

Procedure (basic triangle rig)

  • This suspension sequence is shown on pages 202 - 209 of Tying & Flying.

  • Depending on the height of the person being suspended, the ring may need to be hung higher than you would normally. A taller PIR will require a higher point. Ideally, you want the point to be at least a foot above the PIR’s head.

  • A rigging plate or ring with multiple carabiners works best.

  • For the chest & feet only variation:

    • Tie a chest harness intended to load in a face-down position (knots should be in the back).

    • For the feet, you have multiple options:

      • Tie a basic single column above the ankle

      • Tie a basic single column around the sole of the foot

      • Tie a gravity boot, cuff, or similar tie that loads both the ankle and foot

      • Tie a calf harness

      • …generally, folks find it gives much more maneuverability and sustainability to tie the foot in some way rather than just the ankle.

    • Tie off the chest harness while the PIR stands under the ring at about standing height (rated rope highly recommended). 

    • Raise one foot in front of the PIR’s body and tie off the upline. Generally, around the hip level is a good starting place. Folks who are less flexible through the hips may do better with the legs lower.

    • Raise the other foot in front of the PIR’s body and tie off the upline. It can help to rest the 2nd foot on top of the first (already secured) leg, or to raise the thighs first.

    • Experiment with different heights and see what works best! The feet can be the same height, but they don’t have to be. Asymmetry can be more challenging to process.

    • PIR who have an aerial background will recognize that this is a bit like being in silks with two foot locks (but with a chest “safety” line) – there are loads of possibilities for “getting frisky with those uplines” as Nil (an awesome aerial-trained PIR) put it!

Alicia T-Corn in a triangle suspension with calf harnesses. Photo by Shay.

Chest/Thigh/Foot Variation:

  • Follow the procedure above, but add a single column (with good tension) around each thigh.

  • Tie an unlocked line from each thigh to the foot on that side. The line should not be secured at the top; it should just run through the carabiner to allow adjustment and movement of the line. This can often be done by using a 30-foot piece to tie the cuff, and running the remainder of that line to the feet.

Angel in a triangle suspension with thigh cuffs. Photo by James McDaniel at Seattle Erotic Art Festival.

Other Variations and Notes:

  • You can also experiment with attaching just from the thighs, either from a leg ladder, a modified/expanded gunslinger-style harness, or just a cuff on each thigh.

    • This can offer more support and take some weight off the chest. However, the smaller “window” between the thigh lines somewhat limits mobility.

  • Some PIR will need a partner (rigger/spotter/friend etc.) to help change their position.

  • Depending on the PIR's center of balance, they may get "stuck" in certain positions.

Scene dynamics

  • This type of bondage promotes body awareness and being in the moment.

  • It can be a performance, like a dance—celebrating and exploring the changes in movement and capabilities. Exhibitionism and showing off on the flyer’s side; admiring, appreciation, and objectification on the tyer’s side.

  • It can be more sadistic.

    • Run through positions. This can be anything from kink positions or yoga poses.

    • Impact play—whatever body part you present becomes the target.

    • Rough body play and wrestling while the flyer is in the air

  • Consider the different ways to cause pain – *ahem* “intense sensations” – in rope

1.     Pressure from the rope itself.

a. I don’t find this an interesting way to cause pain, and as a self-suspender, I don’t enjoy that type of pain.

b. I generally go to a lot of trouble to minimize this type of pain (for example by using nylon rope, more wraps, tying over shoes, wearing leggings, etc.)

2.     Stress or stretch positioning—I like this and find it more interesting!

3.     Exhaustion (another interesting and often under-explored area)

4.     Doing other mean things (spanking, slapping)

Suspension Sequence

  1. Seated position: Back of chest and a column around each thigh or mermaid tie (exploding?)

  2. 3-point triangle rig: Tie off feet and release thighs.

    • Potential shapes to explore include a running person, splits, pinwheel, lotus, birdcage, pike, and many more.

  3. Face up: Attach the hip harness from the front. Release the foot lines and tie the legs into a bent shape.

    • Consider a flyer-driven transition into face down.

  4. Inversion: Ensure that the hips are attached high enough so that the PIR will not hit their head when they invert. Detach the chest line and lower into an inversion.

    • Consider leg variations in this position.

  5. Side suspension: Attach the chest from the front or side. Keep this upline long/the chest low. Lower the hip line to come into either a face-up or side suspension. Consider how to create additional torsion in this shape.

  6. Lower into a partial, either chest or hips down first.

This video shows a self-tie performance of this sequence.


Steps with pics (photos by Philip Pavliger at SF Pride)

1) Seated position

2) Triangle suspension

3) Face up

3a: Flyer-driven transition to face down

4) Inversion

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